Four papers, one question: which one serves your artwork?
Every Arsentis artwork is printed on Hahnemühle fine art paper, then matted. The choice doesn't change the price — only what you see on the wall.
Matte or satin
A matte paper absorbs light and slows the eye down; a satin finish reflects it and lifts the contrast. None of the four is better than another — each one tells the heartbeat differently. You choose yours at checkout, and nothing else changes: the price stays the one for your format.
The four papers
Torchon
Textured matte285 g/m² · 100% alpha-cellulose
A bold, almost grainy texture that gives every line real depth. The most tactile paper in the collection — you'd know it with your eyes closed.
Museum Etching
Textured matte350 g/m² · 100% cotton
Finer than Torchon, heavier in hand: the classic etching-print reference, in pure cotton. A subtle grain that adds depth without distracting from the drawing.
FineArt Baryta Satin
Satin300 g/m² · 100% alpha-cellulose
The deepest blacks in the collection, in a satin finish close to a true photographic print. The reference paper for black and white.
FineArt Pearl
Satin285 g/m² · 100% alpha-cellulose
A fine grain under a very soft satin sheen, never catching the light. The most understated of the collection's glossy finishes.
How to choose
You can't get it wrong: all four are archival, built to last, and printed by the same studio. If you're still unsure at checkout, a line under each name covers the essentials — you don't need to have read this page to decide.
Ready to choose yours?
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